"-The Art Book Regen Projects, in: Artforum, December 2005, p. 285Ramade, Bénédicte, L'ultramonde de Doug Aitken, in: L'Oeil, Paris, December 2005Baron, Marie-Guy, En symbiose avec Doug Aitken, in: Le Figaro, Paris, December 27, 2005Bellet, Harry, Pris au piège des vidéos de Doug Aitken, in: Le Monde, Paris, December 26, 2005Smith, Roberta, ''Summertime at P.S.
Stöbern Sie jetzt durch unsere Auswahl beliebter Bücher aus verschiedenen Genres wie Krimi, Thriller, historische Romane oder Liebesromane 36-7Kihm, Christophe, ''Gestures and Territies'', art press, September, No. He was telling me about his experience when I was coming out of the coma after three days of unconsciousness.I think it’s a constellation. In some ways it’s strange because I don’t look back and think about works so much when I’ve finished them. So I started thinking about this idea of a song as architecture, and what is the architecture of some of these songs that you can’t shake?So with the work, I wanted to use one single song and recompose it 30, 40, 50 times with different instrumentations, strings, vocals, in every single genre I could, and make it elastic.It is. It’s this system, and every work is part of a branch, part of a stem, a series of questions that you have about mortality, about time and your place in this chaotic world. Dieser Artikel kann nicht per 1-Click® bestellt werden.
He moved to New York in 1994 where he had his first solo show at 303 Gallery. I don’t think there’s any one right way. Doug Aitken was born in Redondo Beach during the year of 1968. Whitney Museum of American Art, New YorkLet’s Entertain: Life’s Guilty Pleasures”, curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. I am a Licensed Clinical Social Worker. Prime-Mitglieder genießen Zugang zu schnellem und kostenlosem Versand, tausenden Filmen und Serienepisoden mit Prime Video und vielen weiteren exklusiven Vorteilen. Das maschinell gelernte Modell berücksichtigt Faktoren wie das Alter einer Bewertung, die Beurteilung der Nützlichkeit durch Kunden und ob die Bewertungen aus geprüften Einkäufen stammen. It’s completely weightless and nomadic. 64-65Vogel, Sabine V. ''Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen'', Kunst-Bulletin, April. 282, p. 46-50Smith, Roberta, review, The New York Times, October 18Photo, ''Goings On About Town'', The New Yorker, October 14-21 review, The New Yorker, October 7, p. 23Griffin, Tim, ''Doug Aitken'', Index Magazine, September/October, p.40Newhall, Edith, ''Too Much Information'', New York Magazine, Sept. 9. THE JULIA STOSCHEK COLLECTION”, ZKM, Karlsruhe, Germany"Damage Control: Art & Destruction Since 1950", Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC“Common Ground: Earth” Borusan Contemporary, Istanbul, TurkeyTurn off the Sun, Fundación/Colección Jumex, Mexico D.F., Mexico“100 Years Part II”, 303 Gallery, New York, NY “100 Years”, 303 Gallery, New York, NY (solo)“electric earth”, Nam June Paik Art Center, Yongin-si Gyeonggi-do, Korea "MIRROR", Seattle Art Museum (solo)Dialogues, MAK Center for Art & Architecture, Los Angeles, USAHomebodies, Museum of Contemporary Art, Chicago, USAThe Time is Now, John Berggruen Gallery, San Francisco, USACollection Reinstallation for the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA, USAArt and the City, Ein Festival für Kunst im öffentlichen Raum, Zurich, SwitzerlandSky Arts Ignition Series: Doug Aitken, Tate Liverpool, Liverpool, Great Britain (solo)Altered Earth, LUMA Foundation, Arles, France (solo)Art 43 Basel, Art Galleries, Basel, Switzerland (solo)Song 1, a 360° projection, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., USA (solo)Black Mirror, Helga de Alvear Gallery, Madrid, Spain (solo)Black Mirror, Deste Foundation, Hydra, Greece (solo)Galerie Eva Presenhuber, Zurich, Switzerland (solo)Victoria Miro Gallery, London, Great Britain (solo)Höhepunkte der Kölner KunstFilmBiennale, Kunst-Werke Berlin, KW Institute for Contemporary Art, Berlin, GermanyLand - Collaborative Exhibition, 101 Exhibit, Miami, FLMuseum of Modern Art, Sleepwalkers, New York, NY (solo)Uses of the Image, Malba Coleccion Constantini, , Buenos Aires, ArgentinaSonic Process, Centre Georges Pompidou, Musée national d'art moderne, Paris, FranceNew ocean, Serpentine Gallery, London, Great Britain (solo)Whitney Biennial, Whitney Museum of American Art, New York, NYI Love New York, Crossover of Contemporary Art’Museum Ludwig, Cologne, GermanyLund, Holger, Doug Aitken, in: Holzwarth, Hans Werner (ed.
34-39Birnbaum, Daniel, “i am in you”, review, Artforum, December, pp. Doug Aitken 'The way I see life is very non-linear' Through his own unique work American visual artist Doug Aitken is transformed into an everyday philosopher. Aitken's body of work ranges from photography, print media, sculpture, and architectural interventions, to narrative films, sound, single and multi-channel video works, installations, and live performance.Aitken has created an array of site-specific installations, sometimes synthesizing interactive media with architecture.Since the mid-1990s, Aitken has created installations by employing multiple screens in architecturally provocative environments.