unframed: 102.2 × 127.6 cm (40 1/4 × 50 1/4 in.
)Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object.
Stubbs painted also several pictures in London for the Marquiss [of Rockingham]—the most considerable of which, were two pictures the Size of Life.
It allowed Stubbs to demonstrate his virtuosity as an animal and This picture was described by Horace Walpole in his copy of the 1770 Society of Artists catalogue as ‘Very pretty’ and is the earliest known enamel by Stubbs. He is well-known for his paintings of horses, especially the scenes of a lion attacking a horse as this subject was his obsession in his artwork. the first time the technique – previously limited to decorative objects – had been used by an artist of Stubbs's stature.
framed: 119.4 × 144.8 cm (47 × 57 in.)
Percy Moore Turner Collection; Durlacher Bros., New York (as "Landscape with Lion Attacking Horse").Tate Gallery, Yale Center for British Art, and United Technologies Corporation, Cynthia E Roman, Carrie Roider, and Wadsworth Atheneum, Copyright © 2020 The Yale University Art Gallery. 1770. This was largely disproven, however, with the reappearance of an oil painting Stubbs made of the subject, The innovative subject proved popular and influential. unframed: 102.2 × 127.6 cm (40 1/4 × 50 1/4 in.) Gift of the Yale University Art … Self-trained, Stubbs learnt his skills independently from other great artists of the eighteenth century such as Reynolds or Gainsborough.Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. —The Studies for the former of these animals were made from a Lyon of Lord Shelbournes at his Villa on Hounslow Heath, by the permission of his Lordships Gardner. Artwork page for ‘Horse Attacked by a Lion’, George Stubbs, 1769 This is Stubbs’s earliest known attempt at painting in enamel colours.
—after having often viewd and considered the Lyon well, he made a design, and prepared his materials for painting the picture from Nature:- but as the posture of the animal was a given one for the purpose he wanted, it could seldom be seen in the position; therefore as the progress of the picture was often suspended, it afforded our author an opportunity of making many other studies from the Lyon... Whilst he was executing these In other near-contemporary treatments of the subject Stubbs developed the more spacious composition of the first version exhibited in 1763: the animals, in the same upright position as in Stubbs executed companions to many of the versions of ‘A Lion devouring a Horse’; these can be identified by similarities of scale or format though they were not necessarily exhibited the same year. A Lion Attacking a Horse. high temperatures, as well as improving the support upon which the painting was made. Reinforcement for his view that Stubbs' source was an antique The large oil painting now in the collection of Mr and Mrs Paul Mellon (96×131 in.
Roman bronze statue of Marcus Aurelius and lion attacking a horse displayed in …
A Lion Attacking a Horse, oil on canvas, 1770, by George Stubbs.jpeg - R68DJ4. A Lion Attacking A Horse 1770 . Oil on canvas This Neoclassical painting is one of many horse paintings by George Stubbs.
They usually show a horse frightened by a lion, either nearby or in the distance, though the large oil in the Mellon Collection is paired with ‘A Lion Killing a Stag’ (see Taylor, George Stubbs Aug 25, 1724 - Jul 10, 1806; A Lion Attacking a Horse 1770 - George Stubbs was an English painter who is the greatest painter of horses in British art and arguably the best in the history of art. seventeen works on the theme, most of which were in oil on regularly-shaped In preparation for the work, he made many studies of caged lions at the Tower of London and at Lord Shelbourne's menagerie on Hounslow Heath. Stubbs's interest in the subject is traditionally presumed to Artist: … It was the first time the technique – previously limited to decorative objects – had been used by an artist of Stubbs's stature.
Stubbs was obsessed with the subject of a lion attacking a horse, making at least The poor white mount tries so hard to stand up … Oil on canvas. Roman bronze statue of Marcus Aurelius and lion attacking a horse displayed in the Capitoline Museums in Rome. —The Lyon was confined in a Cage, like those at the Tower of London.
All rights reserved.framed: 119.4 × 144.8 cm (47 × 57 in.)
Buy online at discount prices. New Haven, Connecticut