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I have a penis.' free speech and postmodernism; art as craft; after abstract expressionism; modern and postmodern; abstract, representational and so forth; the crisis of the easel picture; aesthetic distance; observations on aesthetic distance; painting elements; More . It is a remarkable fact that, however frightening they may be in themselves, they nevertheless serve actually as a mitigation of the horror, for they replace the penis, the absence of which is the cause of the horror. Thus in the original situation it offers consolation to the spectator: he is still in possession of a penis; and the stiffening reassures him of the fact. [SER273a4] The hair upon Medusa's head is frequently represented in works of art in the form of snakes, and these once again are derived from the castration complex. Dr. Sigismund Freud (later changed to Sigmund) was a neurologist and the founder of psychoanalysis, who created an entirely new approach to the understanding of the human personality. Sigmund Freud, ‘Medusa’s Head;, 1922, in The Medusa Reader (E,d, M. Garber and N. J. Vickers), 1922, Routledge, Page 84 – 86. Medusa’s Head – Sigmund Freud. Medusa’s Head In the essay “Medusa’s Head,” Sigmund Freud puts forth the bizarre and obtuse assumption that there is a symbolic connection between the legendary Medusa (gorgon) of Greek mythology and sexual terror. Freud, "Medusa's Head" in Sexuality and the Psychology of Love: 212-3. Any difficulties should be reported to your group administrator.Freud, S. (1922). A. Richards and A. Dickson), 1977, Penguin Books, Page 351 – 357. ‘To decapitate = to castrate. This symbol of horror is worn upon her dress by the virgin goddess Athene. The Standard Edition of the Complete Psychological Works of Sigmund Freud, Volume XVIII (1920-1922): Beyond the Pleasure Principle, Group Psychology and Other Works, 273-274 [SER273a1] Medusa's Head . Since the Greeks were in the main strongly homosexual, it was inevitable that we should find among them a representation of woman as a being who frightens and repels because she is castrated.If Medusa's head takes the place of a representation of the female genitals, or rather if it isolates their horrifying effects from their pleasure giving ones, it may be recalled that displaying the genitals is familiar in other connections as an apotropaic act. We read in Rabelais of how the Devil took to flight when the woman showed him her vulva. In these strange days of quarantine and isolation, books can be a mode of transport. Welcome back. Contact your university librarian in the event of problems.If you have a personal subscription on your own account or through a Society or Institute please put your username and password in the box below. Menu. I have a penis.’ In order to make the content on PEP-Web larger (zoom in), press Ctrl (on Windows) or ⌘Command (on the Mac) and the plus sign (+). We’d love your help. The classic version of Medusa, however, was something that Freud saw as an Oedipus-type syndrome and the decapitation of the monster was thought to represent castration and fear. Clair approaches the ambiguity of the Medusa head mostly from an art-historical perspective. Freud, S. (1922). freud and the medusa's head. I defy you. Medusa's Head. Press Ctrl (on Windows) or ⌘Command (on the Mac) and the minus sign (-) to make the content smaller (zoom out). Observe that we have here once again the same origin from the castration complex and the same transformation of affect! 3. Post navigation ← Problem with starting to write again. I have a penis.’ (Freud, 1922; 84) The whole argument had therefore turn into a rather subjected view of penis is the best, everything are in the shadow of the male penis, and hence female are weak, frighten and repels; as female born with no penis.Fill in your details below or click an icon to log in: He is regarded as one of the most influential—and controversial—minds of the 20th century. What arouses horror in oneself will produce the same effect upon the enemy against whom one is seeking to defend oneself. For becoming stiff means an erection. To go back to 100% size (normal size), press Ctrl (⌘Command on the Mac) + 0 (the number 0).Viewing the full text of this document requires a subscription to PEP Web.If you are coming in from a university from a registered IP address or secure referral page you should not need to log in. The sight of Medusa's head makes the spectator stiff with terror, turns him to stone. And rightly so, for thus she becomes a woman who is un approachable and repels all sexual desires since she displays the terrifying genitals of the Mother. I have a penis.’ I don't even know how to rate this, this man HAD to be on drugs while writing this, below a very explicit example:[ To display the penis (…) is to say: ‘I am not afraid of you. 0. In short, the horrid sight of the beheaded head of the Medusa is reduced to the castration anxiety. Are you having difficulty reading an article due its font size? Within this paper, Freud had suggested the way Medusa’s ‘snake’ like hair petrify her spectator into stone; in another word Medusa’s hair is the visual threat to her spectator through the act of petrify, share a parallel effect to the little boy, who see his mother’s pubic hair as a visual threat to his own penis being castrated by his father. The erect male organ also has an apotropaic effect, but thanks to another mechanism to display the penis (or nay of its surrogates) is to say: 'I am not afraid of you.